{"id":309,"date":"2022-03-29T23:11:00","date_gmt":"2022-03-29T23:11:00","guid":{"rendered":"https:\/\/ahhaa.org\/?page_id=309"},"modified":"2026-08-10T20:43:05","modified_gmt":"2026-08-10T20:43:05","slug":"staff-faculty","status":"publish","type":"page","link":"https:\/\/bookbindingacademy.org\/es\/staff-faculty\/","title":{"rendered":"Staff + Faculty"},"content":{"rendered":"
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Faculty<\/h1>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tDON GLAISTER<\/br>Director, Fine Binding Program<\/span><\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t

WILBER H. \u201cCHIP\u201d SCHILLING has worked as a book artist since 1992 under the imprint of Indulgence Press. His work is collected and exhibited internationally. His work is featured in many publications, including Masters: Book Arts, Major Works by Leading Artists (Sterling Publishing), and Volumes 1 & 2, <\/span>Book<\/span><\/i> A<\/span>rt Object<\/span><\/i> (Codex Foundation). Schilling earned a BA in history and photography from Clark University (Worchester, MA) and an MFA in book arts and printmaking from The University of the Arts (Philadelphia, PA). Schilling currently serves on the Board of Directors for the Minnesota Center for Book Arts. He taught as a full-time lecturer at Columbia College Chicago in the graduate program of the Interdisciplinary Arts Department. He is originally from Minneapolis, Minnesota.<\/span><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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PETER GERATY began bookbinding in 1975 at Unicorn Press in Greensboro, North Carolina, where he worked as a printer, typesetter, and binder for several years. He moved to Boston in 1977 and continued working as a binder at various places including; library binding at the New England Bookbinding Company, conservation at the Museum of Comparative Zoology at Harvard University, and over four years at Harcourt Bindery ending his time there as shop manager. In 1984 he began working as an independent binder and in 1985 moved to Easthampton, MA. As the owner of Praxis Bindery, he has focused on conservation, fine binding, and binding of editions and presentation materials for publishers and artists. Peter is intrigued by the challenge of combining design, structure, and materials to present text or art. The name he chose for his bindery, Praxis, encompasses his ongoing philosophy to continually hone one\u2019s craftsmanship and pursue deeper knowledge. Peter received the Guild of Bookworkers Lifetime Achievement Award in 2023.
Click aqu\u00ed<\/a> to visit Peter\u2019s website.
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COLEEN CURRY is a contemporary design binder. Since she bound her first book in 2003, Coleen\u2019s aim is to craft technically evocative bindings that provide a visual, sensual, and tactile experience. In 2009, Coleen received her Diploma in Fine Binding from the American Academy of Bookbinding (AAB). In addition to teaching at AAB, Coleen has led workshops in leather and stone bindings as well as leather dyeing and surface treatments since 2014 in the US and Australia. She is past President of the Hand Bookbinders of California and current Vice-Chair of the San Francisco Center for the Book. Her work has been widely exhibited internationally and has won several awards. Coleen\u2019s work is held in private and public collections, such as the Bancroft Library, Boston Athenaeum, and Bainbridge Museum of Art. Coleen is Canadian and lives on the California coast where she crafts design bindings.
Click aqu\u00ed<\/a> to visit Coleen\u2019s website.\u00a0

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LANG INGALLS began studying fine bookbinding years ago, taking private instruction with Eleanore Ramsey (San Francisco). Deep interest drove her to seek further instruction at Centro del bel Libro (Ascona), where she studied with Edwin Heim. While there, Lang met Cathy Adelman, a graduate of AAB, who suggested the Academy; Lang enrolled.
Lang graduated from the American Academy of Bookbinding in 2007 with a degree in Fine Binding. She studied under both Tini Miura and Monique Lallier. She has also studied with many other teachers at AAB \u2014 notably Don Glaister, H\u00e9l\u00e8ne Jolis, Gabrielle Fox, and Don Etherington \u2014 to further hone her skills. More recently, Lang has explored new structures and approaches to design and techniques through her studies with Ana Ruiz Larrea in Paris. She presently works out of her atelier in Boulder, Colorado, making fine bindings year-round and assists Monique Lallier and Peter Geraty as needed in their classes at AAB.
Lang is a member of the boards of directors for the Ah Haa School of the Arts and the Guild of BookWorkers, acting as Newsletter Editor for the national publication of the Guild. She is exhibition coordinator for AAB\u2019s OPEN \u2022 SET competition\/exhibition. Lang is a member of several international binding groups (ARA Canada, ARA France, ARA Belgique, Society of Bookbinders, Designer Bookbinders, Miniature Book Society) and celebrates with the members of these groups the stimulating and textural aspects of creating a fine binding \u2014 Her work shows in the states and abroad, and is found in public and private collections.
Click aqu\u00ed<\/a> to visit Lang’s website.<\/span><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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RENATE MESMER is the Head of Conservation at the Folger Shakespeare Library. She also held the position of Assistant Head of Conservation between 2004 and 2011. Renate started working as a bookbinder at the age of sixteen and earned a Masters in Bookbinding from the Chamber of Crafts of Palatinate in Germany. Before moving to the United States, she directed the Book and Paper Conservation Program at the Centro del bel Libro in Ascona, Switzerland. As Head of Conservation at the Speyer\u2019s State Archives in Germany, she was awarded a grant to study conservation abroad. Her internships took her to the Metropolitan Museum of Art in New York, the Library of Congress, the Folger Shakespeare Library, and the Fine Arts Museum of San Francisco. Renate has enjoyed teaching a great variety of workshops in book and paper conservation for the Guild of BookWorkers Regional Chapters, North Bennett Street School, AIC in the U.S. as well as other organizations in Australia, Canada, and Switzerland for many years. She has presented at the American Institute for Conservation of Historic and Artistic Works (AIC), Guild of BookWorkers, and Society of Bookbinders. Her position as president of the International Association of Book and Paper Conservators (IADA) keeps her current on the field of conservation at an international level.
Click aqu\u00ed<\/a> to visit Renate’s Instagram page.\u00a0<\/span><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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ANNE HILLAM is a book conservator in private practice providing conservation services for institutions and individuals in New York City and Western Massachusetts. She was previously Head of Conservation at the New York Academy of Medicine\u2019s Gladys Brooks Book & Paper Conservation Laboratory. Anne is the Guest Lecturer for Book Conservation at the Garman Art Conservation Department at SUNY Buffalo State and a Library and Archive Conservation Education (LACE) Consortium member. She has a strong interest in historical book structures, particularly parchment bindings, and teaches these structures both nationally and internationally. Anne is a Professional Associate in the American Institute for Conservation of Historic and Artistic Works (AIC). <\/span><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tANDREW HUOT<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t

ANDREW HUOT is a book conservator and book artist in Toronto, ON, Canada, where he operates Big River Bindery. He was the Conservator and Preservation Specialist at the Illinois State University Library before going into private practice. He has worked or interned at the University of Oregon Knight Library, the Historical Society of Pennsylvania, the Wagner Institute of Science Library, and the Folger Shakespeare Library. He taught bookbinding, conservation, and preservation at the School of Information Sciences at the University of Illinois for 12 years. He holds a Masters in Book Arts from the University of the Arts in Philadelphia and his artists\u2019 books use photographs, linoleum cuts, and text to share the humorous side of everyday life. His artists\u2019 books are in collections including the Art Institute of Chicago, Yale University, Emory University, and UCLA.
Click aqu\u00ed<\/a> to visit Andrew’s website.\u00a0<\/span><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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CHRISTOPHER MCAFEE received a BFA in printmaking in 1993 from Brigham Young University where he began learning to bind books. He went on in 1995 to receive an MFA in the book arts from the University of Alabama where he began learning book conservation. He has been conserving and preserving books, documents, photographs, and other artifacts since 1995. He currently works for the Brigham Young University Library as Head Conservator.<\/span><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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SUZANNE MOORE is a lettering artist who combines contemporary vision with traditional scribal techniques in contemporary manuscript books. Born to a family of gifted inventors\/engineers, raised in post-Sputnik middle America, with aptitudes in math and science, she was channeled into those fields at an early age. She made her way into the world of art at 20-something and earned a BFA in Printmaking and Drawing (1973). Moore says: \u201cLetters and letterforms as the subject of drawing, painting, printmaking, and lettering are the focus of my work as a book artist. The physical, sensual, and architectural aspects of books and the musical \u2013 rhythmic, sequential, unfolding narratives of bookworks \u2013 are a multi-dimensional parallel to the way letterforms move on the page. I see books as interactive places: portable spaces created to engage and offer readers new perspectives.\u201d Recent work has included the creation of books on the concept, the tumultuous history, and the mystery of Zero and the Void and a pair of large-format manuscript books with monotype imagery presenting Bob Dylan\u2019s song lyrics.
Click aqu\u00ed<\/a> to visit Suzanne’s website.\u00a0<\/span><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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GABRIELLE FOX has enjoyed exploring the possibilities in miniature books and bindings since the early 1980s when she returned to England after setting up the Conservation Lab at the University of Cincinnati\u2019s Langsam Library.
Gabrielle earned her diploma in Bookbinding from the Guildford College of Further Education in Surrey, UK, with the goal of becoming a book conservator. Since the 1980s, she has taught throughout England and America. Now based in Cincinnati, she travels often to care for collections, teach, and make miniature books. Miniatures are a particular interest to Gabrielle. She has received many awards for her work and it is collected by private, public and academic libraries around the world. Gabrielle is active with the Miniature Book Society and has taught at the American Academy of Bookbinding for many years.
For more information about the Miniature Book Society, visit:\u00a0 mbs.org<\/a>.
Click aqu\u00ed<\/a> to visit Gabrielle’s website.\u00a0<\/span><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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BRENDA GALLAGHER is a graphic designer, book artist, and fine bookbinder living in Niwot, Colorado. She has designed books and magazines professionally for over 25 years and serves on the Boulder Book Arts League board. Brenda enjoys using her experience with professional design to self-publish works with her own illustrations, which she then binds using ancient skills of fine bookbinding. She is an enthusiastic teacher of bookbinding and letterpress printing for students of all ages. Brenda graduated from the American Academy of Bookbinding in 2023 and received her diploma from the Fine Binding Program.
Click aqu\u00ed<\/a> to visit Brenda’s website.<\/span><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tCHIP SCHILLING<\/br>AAB Director<\/span><\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t

WILBER H. \u201cCHIP\u201d SCHILLING has worked as a book artist since 1992 under the imprint of Indulgence Press. His work is collected and exhibited internationally. His work is featured in many publications, including Masters: Book Arts, Major Works by Leading Artists (Sterling Publishing), and Volumes 1 & 2, <\/span>Book<\/span><\/i> A<\/span>rt Object<\/span><\/i> (Codex Foundation). Schilling earned a BA in history and photography from Clark University (Worchester, MA) and an MFA in book arts and printmaking from The University of the Arts (Philadelphia, PA). Schilling currently serves on the Board of Directors for the Minnesota Center for Book Arts. He taught as a full-time lecturer at Columbia College Chicago in the graduate program of the Interdisciplinary Arts Department. He is originally from Minneapolis, Minnesota.<\/span><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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SUSAN ENTSMINGER is a writer, ecologist, and book artist. She is an art framer at Frame Telluride and studies bookbinding at the American Academy of Bookbinding. Her poetry has been published in Main Street Rag, Mudfish, and Sal: A World Poetry Book; her books written with Gary Lee Entsminger intertwine fiction, philosophy, poetry, and art. Editor of Pinyon Publishing, she has a Ph.D. in biology from Dartmouth College.
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\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tMALARIE CLARK<\/br>Director de Marketing y Comunicaciones<\/span><\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t

MALARIE came to Telluride 14 years ago from her home state of North Carolina. She holds degrees in Photography and Art History from East Carolina University. She found her passion for supporting artists after working in emerging galleries across the Southeast. Malarie is proud of her 16 years in the fine arts world, creating community, curating and directing at Telluride Gallery. After dabbling in creative direction and art advisory, her focus shifted to helping artists hone their marketing output to better share their own compelling stories. She loves time spent in the Appalachians and San Juans, especially big mountain snowboarding, shooting 35mm film and creating paper collages.
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CHRISTIN is an event producer, organizer, and arts administrator. She holds a BA in Art History and Sculpture from DePaul University in Chicago. After many years in the city\u2019s non-profit arts community, she uprooted to Park City, Utah to produce venues at the Sundance Film Festival. This led to an extensive career producing film and music festivals across the country, ultimately setting in Telluride. She has over 10 years of experience as a gallerist, consultant, and artist liaison in the fine art, non-profit, and entertainment industries. In her role as a producer, she plans events and programs focusing on supporting the missions of arts and culture within the Telluride community. Using a collaborative approach to working with artists, clients, businesses, and organizations alike, she allows creativity to permeate every part of the event process.
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MARTIN (MARTY) WOLLESEN is a believer in the power of imagination and that creativity is core to the human spirit. A life-long learner, he brings over 25 years of innovative leadership in the arts and arts education having led several multi-disciplinary performing arts organizations through significant expansion. As the Executive Director of Ah Haa School for the Arts, his wide-ranging curiosity and commitment to community engagement creates experiences for everyone to learn something new and share something meaningful about themselves. Marty has lived in New Mexico, Washington DC, California, Singapore, Philippines, Egypt, Israel and Portugal.\n<\/span><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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Faculty DON GLAISTERDirector, Fine Binding Program WILBER H. \u201cCHIP\u201d SCHILLING has worked as a book artist since 1992 under the imprint of Indulgence Press. His work is collected and exhibited internationally. His work is featured in many publications, including Masters: Book Arts, Major Works by…<\/p>","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-309","page","type-page","status-publish","hentry"],"featured_image_src":null,"featured_image_src_square":null,"_links":{"self":[{"href":"https:\/\/bookbindingacademy.org\/es\/wp-json\/wp\/v2\/pages\/309","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bookbindingacademy.org\/es\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/bookbindingacademy.org\/es\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/bookbindingacademy.org\/es\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/bookbindingacademy.org\/es\/wp-json\/wp\/v2\/comments?post=309"}],"version-history":[{"count":30,"href":"https:\/\/bookbindingacademy.org\/es\/wp-json\/wp\/v2\/pages\/309\/revisions"}],"predecessor-version":[{"id":4165,"href":"https:\/\/bookbindingacademy.org\/es\/wp-json\/wp\/v2\/pages\/309\/revisions\/4165"}],"wp:attachment":[{"href":"https:\/\/bookbindingacademy.org\/es\/wp-json\/wp\/v2\/media?parent=309"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}